The Impact of an Oscar Win for ‘I’m Still Here’ on Brazilian Politics

The film **I’m Still Here** may significantly impact Brazilian politics if it wins at the Oscars, potentially prompting actions against former president Bolsonaro. It has enhanced public discourse on democracy and has already influenced government policies. Key participants connect the film with vital historical reminders concerning the dictatorship era and its implications on current politics.

The Oscars have historically influenced society’s perspective on important issues such as gay rights, military veterans, Holocaust history, whistleblowers, and Native American rights. This year, a notable film, I’m Still Here, by Walter Salles, could contribute significantly to Brazil’s political landscape if it wins an award.

I’m Still Here, which narrates a woman’s quiet struggle during Brazil’s military dictatorship in 1971, has spurred political discussions since its release. A potential Oscar win on March 2 could catalyze the Brazilian Supreme Court’s actions against former president Jair Bolsonaro and challenge the rise of far-right movements.

Rafael Ioris, a Latin American expert, highlights that the film has already enhanced public understanding of democratic dangers in Brazil. An Oscar victory could further promote discourse and encourage legal decisions against extremism. Fernanda Torres, leading actress, is a strong contender for Best Actress, and the film may also secure a nomination for Best International Feature.

With sales surpassing five million tickets, the film has become Brazil’s highest-grossing local production in over five years, outpacing major Hollywood releases. Torres’s portrayal of political widow Eunice Paiva has resonated deeply with audiences in both Brazil and the United States, transforming historical struggles into relatable experiences for viewers.

Observers note a virtuous cycle emerging where the film boosts political consciousness, which in turn elevates the film’s popularity. This dynamic may lead to significant political changes, particularly regarding the Supreme Court’s impending decisions involving Bolsonaro and military leaders charged with coup attempts, linked to violent protests on January 8, 2023.

Wálter Fanganiello Maierovitch, a prominent jurist, emphasizes the film’s role in educating citizens about democratic values. He notes that I’m Still Here serves as a reminder of past tyranny to prevent its recurrence, referencing the grim legacies of Brazil’s dictatorship era.

The significance of this historical context is underscored by the continued influence of Bolsonaro and his supporters, estimated to constitute 20-30% of voters. Critics argue that without substantial judicial repercussions, there may be risks of another authoritarian resurgence.

Santos points out that President Lula must navigate the complex military influence in Brazil while encouraging discourse around the film’s themes. The story’s personal elements help elucidate the risks of drifting toward autocracy. Comparatively, Brazilians view their past dictatorship as a salient threat, unlike many Americans’ perceptions.

Despite the film’s success, less than 3% of Brazilians have seen it, indicating a potential gap in engagement among the broader public. Santos suggests that the true impact may be felt through mass media, such as upcoming soaps based on the era, which could attract diverse audiences.

The film has already prompted actionable changes, including new mandates for clearer accountability in official death documents from the dictatorship. This has revived long-stalled cases, such as that of Rubens Paiva, Eunice’s husband, which once more enters the judicial spotlight due to heightened public interest.

Salles appreciates how the film’s narrative has reengaged legal inquiries that languished under previous administrations. One opposing attorney expressed concern over the film’s influence but failed to recognize the profound potential art possesses to inspire change. Salles concluded that this illustrates the transformative power of cinematic storytelling.

**I’m Still Here** has emerged as a pivotal force in Brazilian political discourse following its success at the box office and its potential recognition at the Oscars. Should the film secure an award, it could further catalyze discussions surrounding democracy in Brazil and contribute to legal actions against authoritarian figures. The engagement it fosters signifies a critical reminder of historical struggles against tyranny, ultimately echoing through the nation’s political landscape.

Original Source: www.hollywoodreporter.com