South African Filmmakers Raise Alarm Over Troubling Rebate System

South African filmmakers are alarmed by delays in the cash rebate system managed by the DTIC, which has left numerous claims unpaid. Protests have emerged, demanding faster approvals and better communication. Calls for a revamped rebate system highlight the sector’s contributions prior to the pandemic. Despite challenges, industry leaders express resilience and hope for constructive dialogue with government officials.

South African filmmakers have raised concerns regarding the country’s cash rebate system, which they argue is failing due to significant delays in processing claims by the Department of Trade, Industry and Competition (DTIC). The 25% cash rebate, intended to support local productions, has led to widespread frustration as filmmakers await overdue payments for their work, a situation described as “shocking” by Tshepiso Chikapa Phiri, CEO of Known Associates Group.

Recently, a protest took place in Pretoria, where members of the film and television sector demanded the DTIC expedite application approvals and settle outstanding debts. Many claims have not been addressed for years, leading industry leaders, including Joel Chikapa Phiri, to call for urgent resolution amidst a hostile economic climate.

During the protest, a memorandum outlining grievances was delivered to DTIC officials, emphasizing the need for a revamped rebate system that is straightforward, efficient, and predictable. The document underscored the significant economic contributions of the film and television industry, which employed approximately 60,000 workers and generated substantial revenue before the COVID-19 pandemic. The ongoing rebate issues have exacerbated the recovery efforts post-pandemic, paralyzing many projects.

The grievances submitted express concerns over the lack of communication from the DTIC and the lack of a strategic plan for industry growth. These issues not only affect individual filmmakers but threaten the broader economic impact of the sector on South Africa. Producers have noted that limited funding and the challenging financial landscape are making it increasingly difficult to sustain operations.

Executive voices from major companies, including MultiChoice, echoed these concerns, with Nomsa Philiso stating that delays in rebate approvals have created significant pressure on the industry. Despite the challenges, she affirmed the company’s commitment to continue commissioning work to support the sector. Furthermore, production services in Cape Town are grappling with the repercussions of the rebate uncertainty amid recent pandemic-related shutdowns and Hollywood industry strikes.

Industry professionals expressed their disappointment, with Lynne-Anne Vosloo highlighting the absence of clear communication from the government. Following the protests, there are indications that discussions may take place between the DTIC and the film sector to address these issues. Tshepiso Phiri mentioned the proposal of establishing a working committee to facilitate ongoing dialogue, which is perceived as an encouraging development.

While the situation remains challenging, industry leaders maintain a sense of optimism about overcoming current obstacles, with many believing in the resilience of South African filmmaking. The recent Joburg Film Festival serves as a platform for further engagement and potential solutions to these pressing concerns.

In conclusion, the plight of South African filmmakers concerning the malfunctioning cash rebate system reflects a broader struggle within the industry amidst economic pressures and insufficient government support. The protests and recent discussions with government representatives signify a potential turning point for improved communication and solutions. Despite these hurdles, the resolve and optimism of industry professionals remain a beacon of hope for the future of filmmaking in South Africa.

Original Source: variety.com